My independent art practice is focused on environmental acoustics, digital photography, and data visualization. Through these methods, I seek to understand the human experience, and how we might preserve and archive that experience. The question I come back to is “What will we leave behind, and how it will be perceived?”

My work is process-driven and emphasizes equipment that’s used to gather information. I treat cameras, microphones, and software environments as tools that when used together can offer a different perspective than our biology might allow.

Projects include Imaginal Space Travel, a photographic series that reimagines mundane textures and surfaces to explore scale and perspective, and Transmissions, a collection of environmental field recordings documenting acoustic ecosystems. I’ve also developed small scale experimental tools using Python for image-to-MIDI sonification and built real-time audio-visual systems in TouchDesigner to explore data visualization from sound, images, and other datasets.

Across these efforts, I am particularly interested in pattern recognition, compositional analysis, and the expression of raw data into mediums that can be perceived.